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- <text id=94TT0516>
- <title>
- May 02, 1994: Cinema: Dead Beat
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 02, 1994 Last Testament of Richard Nixon
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/CINEMA, Page 74
- DEAD BEAT
- </hdr>
- <body>
- <p> Recipe for a specious musical biopic: be a rebel, die young
- </p>
- <p>BY RICHARD CORLISS
- </p>
- <p> The most pungent cultural spillage from the early death of
- any rock star--of Buddy Holly or Ritchie Valens, Jim Morrison
- or Sid Vicious--may be the movie made from his life. Producers
- paw through old press clippings, take a quick snort of the current
- zeitgeist, tack on a note of mythical tragedy and voila!, a
- tale for our time with a hit sound track guaranteed.
- </p>
- <p> This is a low business, exploiting a musician's notoriety and
- an audience's star lust. It has reached a nadir of sorts with
- Backbeat, a homoerotic paean to Stuart Sutcliffe (Stephen Dorff),
- the fifth Beatle. Or maybe the sixth, if you count pre-Ringo
- drummer Pete Best and leave out George Martin and Murray the
- K.
- </p>
- <p> Stu, a budding painter and middling bassist, may seem a long
- shot for rock immortality. He died at 22, months before the
- group, which he had earlier quit, cut its first record. But
- according to Backbeat, Stu was the dreamboat heart of the combo
- and John Lennon (Ian Hart) was its soul. Paul McCartney (Gary
- Bakewell) and George Harrison (Chris O'Neill) only whined and
- purred, respectively, while Lennon and Sutcliffe did the heavy
- lifting. John, you see, was Liverpool's own angry young man
- and the sole creator of this proto-punk, ur-grunge band (don't
- you love revisionism?). And Stu, preening moodily, was John's
- closet love god--before a brain tumor drove Stu mad and killed
- him, thus establishing his credentials as a rock Rimbaud.
- </p>
- <p> Backbeat has an attractive cast and a passionate rock-'n'-roll
- score (played by some top young musicians). But with its attention
- to the posturings of Lennon and the untalented Stu, the movie
- succumbs to the post-Madonna notion that pop success is all
- a matter of attitude. That's so misguided. If you have any doubt,
- listen to the songs.
- </p>
-
- </body>
- </article>
- </text>
-
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